Painting trees and leaves Watercolor Demonstration

About Sandrine Pelissier

I grew up in France but have been living in Canada for the last 12 years, I am currently located in North Vancouver and work from a studio on Pemberton Avenue.

Watercolor is my medium of choice because of the unique way it allows me to render light. The transparency of this medium can make it look like the painting is lit from behind and the light is shining through the paper In my portraits, I like to tell stories about the people around me. I am very interested in childhood fantasy or fairy tales (I wish it would snow Flowers, Hair Balloon, Georgia, the Spanish dress and the Eclectus Parrot). I also like to induce a dialogue with the viewer in some paintings dealing more with introspection and mood (Mixed, In the studio).

Those portraits are not about likeness or knowing the people that are being painted, as I see my models as actors in a movie, they are the faces that will allow me to tell a story or to show emotions. Those faces are a source of endless fascination and I find the subtlety that can be achieved with watercolor well suited to the complexity of the human face.

My technique involves the accumulation of many transparent layers of watercolor. Then I like to incorporate mixed media in the background, work sometimes with some contouring. I also sometimes like to add some drawing on top of the painting or some graphic elements…

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Watercolor Painting Demonstration – Winter Ice, Potomac River

A Virginia Artist – Creating Award Winning Art In Oil and Watercolor

 
Lashleyphoto GreatFallsCHRISTINE LASHLEY — ARTIST’S STATEMENT: As a contemporary impressionist painter, I am constantly drawn to light. Nature’s unique colors, harmonies and contrasts offer a visual feast that I love to capture in artwork. I gather most of my ideas by painting outdoors. On location there is no time to second-guess choices, so the resulting brush strokes convey a sense of immediacy and vitality. My studio paintings are a chance to work larger, while retaining the freshness of painting “plein-air”. Planning first, with sketches and reference, lets me paint freely in the final artwork. Favorite subjects are portraits, still life and landscapes.

ARTIST’S BIO: Christine Lashley studied as a teen in Paris at the Parsons Art Institute and the Sorbonne, continuing on to earn her Bachelor of Fine Arts at Washington University in St. Louis. She worked for several years in the fashion industry in Europe, then as a muralist and graphic designer, but turned her interest to fine art soon thereafter. Christine’s paintings have been shown nationally and internationally. With numerous works in private and corporate collections, her work has also been featured in publications such as:American Artist Magazine, The Washington Post, and Elan Magazine. A North Light Publications book: Creative Freedom, will feature two of her oils in a step-by-step demonstration.

Christine currently lives in the Washington DC area with her husband and two children, and has been an art instructor for over 10 years. She is a juried, signature member of several art groups including: the Potomac Valley Watercolorists  (where she served as President), The Baltimore Watercolor Society, and the Washington Society of Landscape Painters, and a juried member of OPA (Oil Painters of America).

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Watercolor Painting Demonstration by John Fisher

About John Fisher

JohnFisher1I was born and educated in England, graduating from the Luton School of Arts (now Barnfield College) in 1945. It was my hope to become a graphic artist, but at the end of the Second World War returning service men and women had first crack at the few jobs available, and rightly so. I took a number of jobs while I tried to break into my chosen field, and ended up being a reluctant carpenter. Many years passed and I emigrated to Canada in 1952, married a Canadian woman, started a family, and in 1955 finally started on a career which took in graphic arts, owner of my own graphics arts company, art director at an advertising agency, and careers in marketing, advertising and public relations.

I wish I could claim that my passion for art burned brightly throughout those years, but alas, the need to make a living took prominence. As with many people, I always promised myself that when I retired I would get back to painting again. That time came in 1989, when my wife and I were living the winter months in our condo in Destin, Florida. Robert Long, a talented watercolour artist, was offering private lessons from his nearby condo. He was my mentor, and made my retirement years infinitely richer.

In those days Robert taught only technique, and there were rarely more than four to six of us in those early classes. From Robert I regained my interest in photography as an adjunct to painting, and as the cliche goes – I never looked back. I have had many paintings accepted and hung in exhibitions in Florida and Ontario, where I now live. I’ve won some prizes, come first in some exhibitions, and occasionally won the Citizens’ Choice awards. But I mainly paint for fun – hence the choice of name for this site.

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Step by Step Watercolor Painting Tutorial

About Barbara Fox

Barbara has achieved a tremendous following on both the national and international level as a watercolor painter with a vivid and unique style.

Her paintings have been featured in solo and group exhibitions in museums and galleries throughout the United States, including the Phillips Museum of Art in Lancaster, Pennsylvania; the Millicent Rogers Museum in Taos, Mexico; the Salmagundi Club New York City; The Neville Museum in Green Bay Wisconsin; and the Pittsburgh Center for the Arts

Barbara is a signature member of the National Watercolor Society, the International Guild of Realism, the Pennsylvania Watercolor Society, and the Northeast Watercolor Society, among others.

She has been published in the major watercolor publications Splash: the Best of Watercolor Painting, and  Secrets of Watercolor Masters. Barbara has been a featured artist in the leading national art magazines American Artist and Watercolor Magic.

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Watercolor Painting Tutorial – Abstracting the Shapes, Simplifying the Message

About Steve Fleming

steve fleming artistGood art is the result of hard work and dedication. It only happens when the artist finds his or her own story to tell and then learns to do so with his or her own unique language.

I am an artist who works in watercolor and acrylic, and I teach both for The Art League in Alexandria, Virginia, as well as workshops across the country and abroad. My goal as an artist is to be creative; my goal as a teacher is to help my students learn to interpret the world around them, not to promote the belief the goal of art is the perfect rendering of a subject. One of my core messages: art is a creative process and is not just the sum total of the work we sell. In this era of digital cameras, I caution artists to look — really look both inside and outside — for the subject matter that lights our artistic fires. Otherwise, our work will be lacking everything but technique.

Click over to my blog for behind-the-scenes insight into some of my paintings in progress, musings and a few complimentary lessons for you to take and learn from.

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Watercolor Still Life Painting Step by Step

This lesson is courtesy of Rod Webb. Rod is a veteran Watercolorist from New Zealand. You can learn more about Rod and view more of his work by following this link to reach his Website.


Watercolour Painting  My Way :Still Life

Note from the author: Since authoring “Still Life Painting, My Way!” I have had a lot of emails, from folks all around the world thanking me for the demo. Some have asked for a line drawing. I have created a line drawing for folks who are interested in following along. It is a large image, so a good size printout is possible
without becoming too pixelated.

To view the actual line drawing,  follow this link, or click on the thumbnail to the right. To save it to your hard drive, SHIFT-CLICK on the link, and save it out to your PC. Enjoy!

linedraw 150x150
still life painting lesson 1Set up the still life study outside in the sun. Background and base are pieces of masking board. Adjust items for best  composition and then photograph using a digital camera.You could use a normal camera and have the photo scanned at your local photo shop.
still life painting lesson 2Using your computer image software, first crop the image and then adjust contrast/brightness to give a faded image. When printed in mono this will use far less ink.
still life painting techniques 3Set up your printer to the size required for your watercolor paper you normally use. Mine is set to 34cms wide and 31cms high. As this is larger than A4 the poster and smooth resize will need to be ticked. Set to mono , we do not need a color print.
still life painting lesson 4This is the output from the printer. Four sheets of paper with image divided between them.
still life painting tips 5We now trim and paste together.
still life watercolor 6Glued and lined up, repeat and trim all four ready for tracing.
still life watercolor 7I use “Graphite Transfer paper” which should be available from your local art shop. If not cover the back of the printed sheet with soft lead pencil or charcoal pencil. Then drawn around outlines you want transferred to your watercolor paper.Don’t press too hard or you will damage the paper!
watercolor painting demos 8Here is the transferred image on “Saunders 300gm Not”  paper stretched and held with gummed paper strip. We are now ready to start painting.We have our sketch and the original image can be displayed on the computer while we are painting. This has the advantage that you can now eat the apples while painting.
watercolor painting tutorial 9Masking fluid is applied to the glass, apples and jar to save highlights. The brush shown is an old one. The bristles have been trimmed and washing liquid applied to protect by stopping the masking fluid collecting around the ferrule. With this brush, I can apply fines lines of fluid.
watercolor painting techniques 10Mix up plenty of wash for the background, mixture of ultramarine and touch of light red. With the painting upside down, I applied a flat wash around the objects and to the top of the painting. See the nice bead of paint collecting at the edge? This is typical when applying a fluid wash with the board tilted at 15 degrees. Don’t throw away the remaining background wash, save it you will need it later. Don’t worry if it dries in the palette, water can be added when required.
watercolor painting tips 11We have applied the wash over the glass, as the background can be seen looking through it.
still life watercolor 12Before the wash is dry. A piece of blotting paper is used to lift some of the paint, giving the reflective look of glass.
still life painting lesson 13Using some of the original wash, add Payne’s Grey to darken and paint the shadow between the jar and glass. Shadow of glass was painted using background wash and darkened at the bottom with Payne’s Grey. Shadow inside glass painted with background wash and Payne’s Grey dropped in while wet into the center portion.
watercolour painting tips 14Using the edge of a piece of blotting paper lift lines of paint on glass shadow on a curve, to represent ripples of light.
watercolour tips 15Dry thoroughly using a hairdryer and remove masking fluid from the glass.
watercolour tutorial 16The white of the paper now shows through for highlights, and ripples show in the shadow where paint was lifted.
watercolour painting demonstrations 17Pencil marks erased using a putty rubber.
watercolour tips 18Some edges are softened by brushing on clear water and dabbing with a tissue.
watercolour tutorial 20Computer aid: if a part of your painting is easier to paint from the side, rotate the image on your computer to match. You can’t do this with a normal still life setup!
still life painting lesson 21The fine edge for the top of the glass is added with a sharpened watercolor pencil. The pencil is used dry, but can be softened if you wish by lightly brushing with clear water. Detail is added to the shadow using the original wash. Add the band around the top rim and random curves across from top to bottom.
still life painting lesson 22Shadow inside glass darkened slightly at the middle.
watercolour tips 23Progress so far: background, glass, and shadows completed. The jar will be tackled next!
watercolor paint techniques 24First, we have to define the jar and give it some shape.
watercolor paint tips 25The shading is added using a mixture of burnt umber, Payne’s Grey and a touch of light red. While it was still wet, some extra was added around lid edge to darken. Side handle shown simply by painting in the shadow.
watercolour painting tips 26A light wash of raw sienna painted over all of the jar to give it an off-white china look.

Masking fluid is visible on lid and front edge.

watercolor lesson 27A strong rich blue mix was made from winsor blue and ultramarine. The pattern is painted in and edging darkened before first paint dries.
watercolour painting tips 28When painting detail, magnify the image on your computer. It helps!
beginner watercolor 29After painting the pattern on the side, the left was lightened slightly by lifting some paint with a tissue.
beginner watercolor 30Fine detail added after first was dry using a rigger brush. Masking fluid removed from jar, sparkle can be seen on lid and top edge, where the preserved white paper now shows.
watercolour tips 31Progress so far. Next step is to paint the apples. By the way they were delicious.


View Part 2 of this Watercolor Lesson >>

Watercolor Still Life Painting Step by Step – Part 2

This lesson is courtesy of Rod Webb. Rod is a veteran Watercolorist from New Zealand. You can learn more about Rod and view more of his work by following this link to reach his Website.


This is Part 2

<< Part 1 | >> Part 3

32maskMasking fluid applied to save highlights.
33washWash of light yellow and a touch of sap green painted over apple.
34tissueBefore the wash dries, some areas are lifted with tissue, giving a lighter shade.
35dryResults after applying wash and lifting with tissue.
36wetWet all of the apple with clear water. Using a mix of Alizarin Crimson and Light Red drop in some color wet into wet.
37glazeWash can be controlled, placed and moved around with your brush. If you get paint in the wrong place lift immediately using tissue or blotting paper.
38rewetAlways make sure paper is thoroughly dry before you re-wet the surface. Then it will not disturb the original washes.
39secondFirst glazes have been applied to both apples.
40yellThe color was too weak, so I added another wash of yellow!
41stemMasking fluid painted on stems to preserve lighter shade. Shadows added showing core shape and shadow of stem.
42slantI re-wet the apple with clear water. Lower your head and look across the paper, you should see just a shine on the paper. No sign of surface water.
43wetWhile the paper was wet, I added a reddish brown wash to top of apple and around the core to get a bit more shape. If the paper starts to dry, stop! Let
it completely dry the re-wet it and start again. If you continue to add wash to drying paper, you will get a cauliflower effect.
43pencilA watercolor pencil can be used while the paper is wet. Fine red streaks added this way. Or you can use with paper dry and if necessary softened afterwards by lightly brushing with a soft wet brush.
45appleShadow around stem darkened. I first applied pencil with paper wet then added final sharp lines when dry. The apple stem is also defined using pencils.
46applesThe masking fluid was removed. Larger highlights had edges softened by wetting and dabbing with a tissue.
47progNow I have two apples defying the laws of gravity. Lace cloth will be the next task. That should tie everything down!

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Watercolor Still Life Painting Step by Step – Part 3

This lesson is courtesy of Rod Webb. Rod is a veteran Watercolorist from New Zealand. You can learn more about Rod and view more of his work by following this link to reach his Website.


This is Part 3

<< Part 2

48laceShadows added to show folds in cloth and holes in lace painted at the back. Light grey with a touch of green used.Whoops, I just spotted a mistake. I painted the blue background right down to the cloth over the table top.
49whoopsSoon corrected. I laid a plastic ruler along edge where table should be to protect the background wash. Then used a wet sponge to lift the paint, still left a slight stain but that will be covered with the green.
50wipeBoth sides were sponged off.
51tableGreen table surface painted. Made darker at the back and lightened at front.
52holesHoles in lace painted with the grey/green mix. Remaining graphite sketch lines erased with the putty rubber.
53linesLines following the folds and curves of the cloth painted in.
60dotsDots added over lines for weave effect. Strength and pattern varied.
61shadStronger shadows placed around apples to anchor them down, up to now they appeared
to be floating.
62foldsShadows on rear folds strengthened, pale yellow added to front fold to bring out the middle fold.
58shadSome dots were darkened in the weave, rear shadows touch of blue added, yellow shadow near apple and touch of red added to front shadow. There is only just a hint of each color, although it is difficult to see in the photo.
63finishDecision time, is it finished?. I usually wait a few days and have another look before deciding.
64mattPlacing a tempory matt around painting makes a lot of difference. Find a nice spot for you signature.  Don’t know what color matt or frame I will use, any suggestions? icon smile The image to the left shows what I considered to be my “final painting”.  However, after showing this piece to several of my fellow artists, I discovered that there were a few things I could do to improve this painting.

Want to see those changes? Good, then keep reading!

backgrAdded some color into the background to break up the solid blue.
leftappLeft apple.

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Watercolor Painting Demonstration by Joe Cartwright

About

I have been painting with watercolor since 1998.

My paintings cover a wide range of subjects including portraits ,seascapes, landscape, flowers, wildlife and townscapes. I do not feel inclined to specialise in any one category as any subject can make an interesting work of art.

I have been exhibiting at regional and National art shows over this period at which I have sold many paintings and received many of awards. In 2009 I won the prestigious John Copes Watercolour Prize.

I have also also exhibited and sold paintings at other major exhibitions such as the Sydney Royal Agricultural Easter Show and the Blacktown Art Show.

The Australian Artist Magazine has published my articles on two occasions.

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Watercolor Painting Techniques – Painting Metal

About John Fisher

JohnFisher1I was born and educated in England, graduating from the Luton School of Arts (now Barnfield College) in 1945. It was my hope to become a graphic artist, but at the end of the Second World War returning service men and women had first crack at the few jobs available, and rightly so. I took a number of jobs while I tried to break into my chosen field, and ended up being a reluctant carpenter. Many years passed and I emigrated to Canada in 1952, married a Canadian woman, started a family, and in 1955 finally started on a career which took in graphic arts, owner of my own graphics arts company, art director at an advertising agency, and careers in marketing, advertising and public relations.

I wish I could claim that my passion for art burned brightly throughout those years, but alas, the need to make a living took prominence. As with many people, I always promised myself that when I retired I would get back to painting again. That time came in 1989, when my wife and I were living the winter months in our condo in Destin, Florida. Robert Long, a talented watercolour artist, was offering private lessons from his nearby condo. He was my mentor, and made my retirement years infinitely richer.

In those days Robert taught only technique, and there were rarely more than four to six of us in those early classes. From Robert I regained my interest in photography as an adjunct to painting, and as the cliche goes – I never looked back. I have had many paintings accepted and hung in exhibitions in Florida and Ontario, where I now live. I’ve won some prizes, come first in some exhibitions, and occasionally won the Citizens’ Choice awards. But I mainly paint for fun – hence the choice of name for this site.

Read more

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