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Learn How to Oil Paint – Tips & Techniques From a Master Painter

rserpe — Fri, 23 May 2008 18:44:40 +0000

If you want to learn how to oil paint and not sure how to begin, then the following article will prove to be quite helpful in your pursuit to become a good painter.

Before you read on, you will have to try and forget everything you ever learned about oil painting and look at your painting from a new perspective. A recent art class I attended, taught by a master painter, has completely changed the way I approach oil painting and has opened up many new creative doors for me. I hope it will do the same for you.

START WITH A CONCEPT

Up until just recently, I was a very frustrated oil painter. I have 10 or so incomplete paintings collecting dust in the corner of my small studio. I would attempt to complete these 10 or so paintings over and over again, until finally I had to take a step back and try and understand what I was doing wrong.

The reason I lost interest and was unable to complete these paintings, was because I did not have a concept in mind before I started. I would start haphazardly painting without a clear vision of what I really wanted to accomplish with my oil painting.

Concepts are methods for solving problems in a painting. I bet you never saw painting as being a series of problems. Neither did I , but this way of thinking really does make learning how to oil paint more interesting.

What do you want your painting to be about?

Instead of thinking: “My painting is about trees in a field”, start thinking in terms of , “My painting is about the light that falls on the trees in a field”.

When you have a blueprint or roadmap in mind before you start painting, there is no room for diversion. You must stick to your plan.

MASTER YOUR BRUSH

A very important aspect of oil painting is learning how to control your brush. Without good brush control and technique, your effectiveness as a painter is truly limited.

Make sure you have the best possible brushes you can afford. While it is possible to save money on paint and canvas, one should never work with cheap brushes. In my experience, cheaper brushes are simply not worth it. The biggest issue with cheap brushes is with the hairs falling off and becoming embedded in your painting. It is quite annoying.

One of the biggest mistakes artists make, myself included, is not reloading the paint brush enough. I am not sure if this is an act of laziness or fear of wasting paint. Whatever the reason may be, make sure you always have enough paint on your brush so that there is always a layer of paint between your brush and the canvas. Do not try and scrub the paint into the canvas. Paint your strokes and leave them be. Don’t over work your brushstrokes.

MASSING

One great way to get the main ideas of an oil painting down is with a technique called Massing. Massing is about seeing your subject as a whole and not concentrating on all of the fine details.

For instance, lets say you subject is a pineapple. Instead of trying to get down all the various textures and details on your pineapple, think in terms of “planes” of light and shadow.

Add in those planes first and then later on you can put in all of your finer details.

COLOR

Nothing in my opinion, can confuse a painter more, then working with color. I know one of my weaknesses in the beginning was working with too many colors in the same painting which resulted in a muddy nightmare.

I never really took the time to understand how colors interact with one another.

Here are some great tips to keep in mind while working with color in your paintings:

- If you add white to another color, it will make that color cooler and more opaque.

- Instead of adding white to a color to make it brighter, try adding more color instead.

- Don’t be afraid to use black. Many teachers recommend staying away from black, but I beg to differ. Did you know you can get some very nice greens by mixing ivory black with certain blues and yellows?

Oil Painting Techniques For Beginners – Learn to Paint with Oils

rserpe — Mon, 30 Jul 2007 21:44:47 +0000

Oil paint is one of the most versatile painting mediums in existence today. There are a variety of different ways to manipulate oil paints . Oil paint can be applied in thin transparent glazes or in thin washes to mimic the properties of watercolor paint. The paint can be also be mixed to a thick buttery consistency and applied using a painting knife. It can be applied very slowly in numerous layers, or a painting can be completed in one sitting. It appears there is really no end to the enjoyable ways you can create art with this fantastic medium. So without further ado , lets being our talk on oil painting techniques.

Dry brush

The dry brush technique is when you apply a stiff dry paint with a dry brush onto a dry surface. This technique works particularly well with a rough surface. The raised parts of your surface pick up the paint, while the dips or valleys in your support do not. This creates a broken color effect where the color of your canvas shows through.

Further information and resources on the Dry Brush Technique:

Painting On A Toned Ground

Sometimes, the white of the canvas or other support can be too bright. When you apply a uniform toned ground to your support, it makes it much easier to judge the values in your painting. You can use any color you like to tone your ground , but a popular method is to use warm tones of red, yellows and browns, which provide a wonderful richness to the finished work.

Here is an example of how to paint on a toned ground using Burnt Umber and Yellow Ochre. First you create the wash by mixing the Burnt Umber and Yellow Ochre together with a paint thinner ( use turpentine, or if you are like me, and are allergic to turpentine, use a water soluble oil paint). Apply the mixture generously to your support and completely cover it with a large bristle brush. Let this mixture stand for a couple of minutes and then wipe off the excess wash with a cloth.

Additional Resources on Toning a Ground:

Alla Prima Painting

Alla Prima painting is a technique of oil painting where the work is usually finished in just one sitting. I am sure you are familiar with the late great Bob Ross. He made this technique quite popular on his TV Show “The Joy of Painting”. It was amazing to watch this man complete such beautiful paintings in a 30 minute TV Show.

With Alla Prima Painting, the paint is applied wet onto wet directly on the support usually with no under painting or sketches. It might be a good idea in the beginning to lay down a sketch with some thinned down oil paint. This way you will have a general idea where your colors will be placed.

You have to be very careful while trying out this technique. If not, your painting can become muddy if you do not apply the colors correctly . It takes lots of practice to get this technique down, so don’t be upset if your first, second or even third painting does not come out the way you anticipated. Keep practicing and let your imagination run wild. As Bob used to say, “It’s Your World”.

Additional Resources on Alla Prima Painting Method:

Working With Painting Knives

If you never worked with painting knives before, I suggest you give them a try. This kind of painting method is quite different from traditional oil painting with a brush. When you apply your first stroke with a painting knife, you will understand why. Knife painting not unlike spreading cream cheese on a bagel. The consistency of your paint should be similar as is they way you apply the paint.

You may be tempted to use your palette knife to paint with. Try to avoid doing this as palette knives are not made for painting. Painting knives have more flexibility to them and come in a variety of different shapes and sizes. You can manipulate paint in a variety of different ways with a knife just by changing your hand position on the handle.

You can hold your hand down low on the handle to smear the paint over your support. Move your hand up to the top of the handle and you can use your finger to gently push the blade into the paint to create small dabs of color. You can also use the side of the knife to scrape away paint or or to create hard lines.

Additional Resources on Knife Painting:

Glazing

If you never produced a painting using the glazing technique, then you should definitely give this a try as well. Your painting will have a different appearance then if you were to complete a painting using traditional color mixing techniques. Glazing tends to give colors more luminescence.

The colors are not mixed together first before applying, rather, they are mixed optically using single transparent layers of color. For instance, if you wanted to create the color green using glazes, you would not mix yellow and blue together on your palette first. You would first apply a thin glaze of blue, wait until it dries, then apply a thin glaze of yellow, which would then create your green.

Each layer must be completely dry before applying subsequent layers. Usually, the first step in using the glazing technique is to create a monochromatic (different values of the same color) underpainting of the subject. Using only one color will help you to focus on form and tone first, rather than being too preoccupied with color at this stage. Wait until your under painting is dry to begin applying your first layer of color. This technique is tricky and does require practice, but it is not as difficult as some may lead you to believe.

Additional Resources on Glazing:

Impasto

The impasto oil painting technique is a method of applying paint with very thick and luscious strokes where the marks of the brush or painting knife are still visible. Paint straight from the tube is usually the right consistency for the impasto technique, however some artists will use a medium if needed. An artist who was famous for using this technique is Vincent Van Gogh. If you ever have the opportunity to view his work up close, you will see a perfect example of this technique.

Additional Resources on Glazing:

Oil Painting Technique DVD’s

If you aren’t a big fan of learning from books, then I highly recommend you check out the following oil painting dvd’s from Creative Catalyst Productions. Creative Catalyst produces some of the highest quality DVD’s in the world and well worth every penny. I recommend Creative Catalyst throughout my website and in my newsletters and stand by them 100 %. Click the links below to see the pricing & ordering details for each video, including free previews.

Oil – Master Class with Richard Robinson

Quick Studies in Oil by Craig Nelson

Sunlight on Oak Creek by Martha Saudek

Palette Knife Landscape with Water-Soluble Oils & Mixed Media by Sean Dye