About Faith

Graphite Pencil, Charcoal Pencil and Pastels Artist

Hello! My name is Faith Te. When I was 16, a great desire to capture nature and the people around me started my passion for drawing. I began to look at drawing not just as a hobby but something which I wanted to do all my life.

I practiced every day and for many hours since. I taught myself to draw by experimenting with different techniques and materials and through helpful tips and advice from other artists.

Initially, charcoal and graphite pencils were the only mediums I used. When I began working in color, I used pastels, and more recently, oils. My main subjects are portraits but I also enjoy doing many other subjects including still life, landscapes and flowers, especially orchids.

I devote many hours and lots of attention to detail into each and every one of my drawings or paintings. My ultimate goal is not only to achieve detail and realism but also to capture the life and character of my subjects.

Thank you for your interest in my artwork. I sincerely hope you enjoy your stay here on our web site. Please visit again soon!

Please take a moment to visit Faith’s Website and Blog to learn more about her and her products and services.

Her Website: http://www.artisticrealism.com/ ^[1]

Her Blog: http://www.artisticrealism.com/artstudio/ ^[2]

Graphite Pencil Drawing Tutorial: Female Eye by Faith Te

Here is the first tutorial from Art Studio — a female eye. My method in graphite pencil drawing ^[3] aims to render subjects as realistically as I can. The following is a step-by-step demonstration of how I draw eyes. While I very much hope that it helps you in drawing realistic eyes, do experiment and develop your own way of drawing. I myself sometimes do not follow some of the steps exactly as I like to experiment and try to find better ways of achieving a specific texture or effect. Before I begin, many thanks to Toni-Marie Hudson for the use of her picture. Toni-Marie does animal paintings in mixed media. Visit her web site ^[4] to view her extremely realistic paintings.

Step 1:

The outline on Canson Grain. Since the outline was very light and will likely be smudged off when I start rendering or shading, I have carefully and lightly retraced the lines with a soft pencil. In this case, a Faber-Castell 0.5 mm 2B mechanical pencil.

Step 2:

Using a soft brush dipped in small amounts of graphite powder, I cover the outline with two or three layers of tone. Any brush can be used as long as it produces a very smooth effect and fills in the tooth of the paper. I try to avoid getting tone on the highlight of the iris. If I do get any graphite there, I tap the area with a clean kneaded eraser.

Step 3:

Using a smaller version of the brush I used in the previous step, I begin forming the shapes of the eye by defining the darker areas.

Step 4:

With a kneaded eraser, I cleaned up the highlights.

Step 5:

I used a Dong-A 0.5 mm 2B mechanical pencil to draw the darkest areas like the pupil, shadow on the upper part of the iris and the crease of the upper eyelid.

Step 6:

Concentrating on the iris for now, I use a hard pencil (5H Staedtler) and fairly hard pressure to draw spokes originating from the pupil. This will keep the paper from absorbing a lot of graphite in the next stage.

Step 7:

Having used a 5H on the previous stage, I can now draw darker shades on the iris using a dark pencil (2B mechanical pencil). The reason why I use 2B is because it spreads more easily. The 5H is also to keep the tones very smooth when darker tones are added.

Step 8:

I further worked on the iris erasing and adding graphite as much as needed to create varied tones. Moving on to the white of the eye, it was also covered with a layer of 5H to create a smooth effect. Then I used a 2B mechanical pencil on the shadow areas to form the eyeball.

Step 9:

Here I began working on the skin. Using a 0.5 mm HB mechanical pencil and a light circular motion, I added tones to the upper eyelid and the surrounding skin — starting first on an area which will receive more graphite (in this case, the skin around the crease) and moving towards lighter areas. I used a shop towel and a brush to smoothen out rough spots.

Step 10:

Continued with the lower part of the skin.

Step 11:

Still continuing with the HB mechanical pencil. I’ve now added shadows to the skin. The 5H Staedtler pencil was also used on the thickness of the lower eyelid. 2B mechanical pencil was used for its darker areas.

Step 12:

To create the wrinkles on the skin, I lightly drew lines with the HB mechanical pencil and then used a kneaded eraser to create fine highlights beside each line. A paper stump and a brush were used to soften and blend the lines. The same method used on the white of the eye was also used on the tear duct. The HB was used for the eyebrow — starting with the root of each hair and lessening pressure towards the tip.

Step 13:

I always try to keep from drawing the eyelashes until the skin underneath is finished. Since the upper eyelashes will be darker than the lower eyelashes or the eyebrow, I used a Dong-A 2B mechanical pencil which is much darker than a Faber-Castell of the same grade. Again, following the direction of growth and starting from the root, lessening pressure as I come to the tip. Reflections of the eyelashes were also drawn on the highlight of the iris.

Step 14:

The lower eyelashes were drawn with the Faber-Castell 2B mechanical pencil.

Step 15:

The final eye. Finishing touches were made and some of the highlights on the lower eyelid were dulled a little. I hope you find these steps and images informative and helpful.

Great Resource on Portrait Drawing

Realistic Pencil Portrait Mastery Home Study Course ^[5]