Oil Painting Wildlife Demonstration
About Shalese
Ever since I could hold a pencil, I have had a love of drawing and animals. So it was only natural that I combine my two loves. My passion for art has only grown throughout the years and my love of animals has kept up with it. When my family and I took a vacation to Yellowstone in 2009, my inspiration skyrocketed. We were able to get very close to a large bull elk—something I’ve never done before but had always wished to experience. I discovered the sublime in a powerful way, a feeling I hope is portrayed in all my art. From that point on, I have wanted to excel in the field of wildlife art while continuing my passion for equestrian art. I have recently graduated from Northwestern College in St. Paul with a B.A. in Studio Art and hope to make wildlife/equine art my full time profession.
Follow this link to visit Shalese’s Site
Oil Painting Underpainting Tutorial
About the Artist
Terry knows she is doing what she was meant to do. After graduating from the University of Central FL with a BFA in Graphic Design she had an interesting and varied art career, working in the imprinted sportswear, gaming and publishing industries as well as courtroom sketch artist.
Since devoting herself to painting full time in 2005 her work has won numerous awards and been widely published and collected.
Visit Terry’s Websites:
Oil Painting Tutorial – Glazing & Scumbling
Tutorial by Jess Bates
Born 1962 and raised in Aspen, Colorado, Jess Bates is an entrepreneur, artist, metal smith, and designer. Favorite hobbies are gardening, dancing, mountain biking, and hiking.
You can learn more about Jess by visiting her website below:
Oil Painting – Glazing and Scumbling Tutorial
Landscape Oil Painting Demo – “Virginia Bluebells”
A Virginia Artist – Creating Award Winning Art In Oil and Watercolor
CHRISTINE LASHLEY — ARTIST’S STATEMENT: As a contemporary impressionist painter, I am constantly drawn to light. Nature’s unique colors, harmonies and contrasts offer a visual feast that I love to capture in artwork. I gather most of my ideas by painting outdoors. On location there is no time to second-guess choices, so the resulting brush strokes convey a sense of immediacy and vitality. My studio paintings are a chance to work larger, while retaining the freshness of painting “plein-air”. Planning first, with sketches and reference, lets me paint freely in the final artwork. Favorite subjects are portraits, still life and landscapes.
ARTIST’S BIO: Christine Lashley studied as a teen in Paris at the Parsons Art Institute and the Sorbonne, continuing on to earn her Bachelor of Fine Arts at Washington University in St. Louis. She worked for several years in the fashion industry in Europe, then as a muralist and graphic designer, but turned her interest to fine art soon thereafter. Christine’s paintings have been shown nationally and internationally. With numerous works in private and corporate collections, her work has also been featured in publications such as:American Artist Magazine, The Washington Post, and Elan Magazine. A North Light Publications book: Creative Freedom, will feature two of her oils in a step-by-step demonstration.
Christine currently lives in the Washington DC area with her husband and two children, and has been an art instructor for over 10 years. She is a juried, signature member of several art groups including: the Potomac Valley Watercolorists (where she served as President), The Baltimore Watercolor Society, and the Washington Society of Landscape Painters, and a juried member of OPA (Oil Painters of America).
Traditional Oil Painting without Solvents and Toxins – Non Toxic Earth Paints
The following video presentation is from Leah Mebane. Leah is the creator of an all natural line of pigments called “Earth Paint”. If you have been searching for an affordable, high quality, non-toxic pigment to make your own oil paint that is free of fillers and preservatives,t hen you should definitely give these pigments a try.
Watch the video below to learn more about her pigments and how to mix up your own oil paint.
You can visit Leah’s Website Here
Earth Paints for the Professional Painter
Still Life Oil Painting Demonstration
About the Artist
David Gray (b. 1970) acquired a strong foundational education in art while obtaining his BFA from Pacific Lutheran University in Tacoma, Washington. His art education has continued with independent and occasional formal studies in pictorial expression and oil painting. The resulting work reveals a personal and contemporary expression of beauty and order which pays homage to the Classical Tradition in its craftsmanship.
David’s paintings have earned several national awards and his career has been covered by major art publications including Southwest Art, Art of the West, and American Art Collector. David’s works are included in many discriminating private art collections throughout the United States and abroad.
David’s Websites:
Old Master Painting Technique – Color Banding
About Karin
Karin Wells is an artist of amazing versatility. She graduated with honors from both the New England School of Art and Design, Boston, 1965, and the Butera School of Art, Boston, 1986. Karin has enjoyed a career as an award-winning graphic designer, illustrator and sign painter. She also taught Life Drawing and Painting for many years. She has most recently studied for three years at The New England School of Classical Painting in Greenfield, New Hampshire, under the direction of Numael Pulido.
To expand her craft, Karin has traveled throughout Europe studying the Old Masters. Her art reflects the deep influence of these great works. Karin demonstrates a remarkable facility for likeness and for the use of light.
The artist is a member of The American Society of Portrait Artists, Portrait Society of America, The Portrait Society of Atlanta, and The Copley Society of Boston.
Underpainting Tutorial – Oil Painting Demonstration Spring Flowers
About the Artist
Jim Serrett holds degrees from Southern Illinois University and Vincennes University in painting and drawing. He has been an instructor at the college level and worked professionally as an artist producing advertising art, murals and illustration.
“I would define my works as realism, because I am interested in depicting the subjects I choose to paint, as I see them in nature. I am fascinated by the way things look, painting is for me about seeing. It forces me to study and understand a thing or an idea, to spend so much time with something that I can really begin to see it and explain the subject with as much clarity as I can, observing those things that might otherwise might be overlooked. I hope to seduce the viewer into the painting and if they meditate on it for a while, they may discover deeper, more specific layers of meaning.
I work from life or en plein air using traditional painting techniques. The work of the Masters leaves me with a sense of astonishment over the depth, luminosity and technical virtuosity these artists possessed. Varied in style and approach, they each began with similar foundations and fundamentals on which they developed the skill of oil painting. Understanding the core principles of traditional painting techniques, is a foundation from which an artist can evolve and acquire that greater knowledge, the real and honest expression of art.
These days I concentrate on fine art work, mainly working in oil and charcoal. I believe painting is a permanent attitude of mind. It is a scheme into which the general run of experience fits, which is not an abstract of the intellect but a part of life that needs mental and spiritual concentration. That synchronicity is my goal, the more I paint the more I learn about painting, the more I see as an artist.”
Amazin Glazin – Glazing with Oil Paints
How to Paint a Landscape in Oils Step by Step
About Mike
Nationally recognized, award winning artist Mike Callahan is a fourth generation Nevada native who counts himself privileged to grow up in what he believes to be one of the most beautiful places on earth, the eastern Sierra Nevada mountains near Reno, Nevada where he still lives today. While he has been painting since childhood, he has only been painting in earnest for about the last 5 or 6 years.
Says Mike, “The topography of this area is simply phenomenal; one can go from the high desert to mountainous alpine settings in less than an hour. It is this beautiful and varied landscape that ends up being the subject for a vast majority of my paintings.”
However, if you look through the paintings on Mike’s website, you will quickly see that the Sierra landscape isn’t the only subject Mike typically paints. He also enjoys painting Western themes as well as figurative and portraits.







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