Flemish Painting Technique Video
About Delmus G. Phelps
Statement of purpose within the work:
I’ve been an active painter since the mid 70’s creating works in the Realist tradition. Being inspired by the nature around me and in the things we tend to collect, I produce still life and floral oil paintings in the Classical/Contemporary Realism style on canvas and panels.
With a particular interest in sharp focus realism I produce still life works of incredible detail. My floral pieces exude a peace and serenity much needed in today’s hectic lifestyles.
Using the Flemish method of 7 layers, a 400 year old technique perfected by the Dutch Masters of the renaissance era, my paintings are meant to stand the test of time in lasting quality.
Artist Spotlight – Betsy Popp
Artist Name: Betsy Popp
Location: Townsend, Wisconsin
Title of Artwork: Meandering Times
Dimensions of Artwork: 16″ H x 20″ W
Medium: Oils
Support: Canvas
Website: http://www.natureartists.com/poppb.htm
Describe this Piece: This is a quiet moment created from a scene in northwestern Wisconsin. I enjoy the many lakes and waterways that northern Wisconsin has to offer. This scene is one of them.
(Click on Image for Larger View)
You Asked – Painting Water Rings
Todays question is from Rauel:
“I am trying to paint water rings like you would see if you dropped a pebble in water and am having a difficult time finding any teaching on this. I have a water “mound” in the center of the water rings. I am painting on a 4×8 foot mdf using acrylic paint. Thanks for your help.”
Do you have any information that may help Rauel? Please leave your response in the comments box below. Thanks!
Blick Presents – Chroma Atelier Interactive Acrylic Paint
Chroma Atelier Interactive Acrylic Paint is a professional, high quality acrylic paint available in 75 colors. These paints have a wonderful buttery consistency and dry to a rich satin finish with little to no color shift.
As you know, acrylic paints do have their drawbacks. They dry quickly, colors change value when dry and you can’t rework an area after it has already dried. Well, thanks to Chroma Atelier Interactive Acrylic Paint, this has all changed. The properties of this acrylic paint are somewhat magical. The folks over at Chroma, have created a paint that stays workable for longer periods of time and maintains its color after drying.
These paints do dry , but they dry differently than traditional acrylics. Normal acrylics dry quickly and form a skin. Atelier Interactive Acrylic Paint goes through what is known as a “Curing” cycle. It will go from a wet workable phase, to a tacky stage, then to a stage known as “touch dry”. The “tacky” stage is the interactive stage where these paints really begin to shine. You will recognize this “tacky” stage when your brush begins to drag and is no longer sliding smoothly on the canvas. At this point, you can either wet your brush, or use a fine mist sprayer to wet the paint to bring it back to a workable state.
Now lets say that you leave your painting to dry over night, or even days later and you want to rework a certain area. For this you will need to use a special medium called “Unlocking Formula”…
Step by Step Portrait Drawing Lesson in Graphite
About David Te
Hi, my name is David Te. I began thinking about art seriously when I was 18 after seeing my sister Faith, who is also an artist, draw a portrait of a person. It immediately inspired me to draw portraits as well.
I have had no formal art schooling at all so I learned entirely by reading art tutorials and forums and also by myself.
I work mainly in graphite and charcoal pencils but since we bought some tubes of oil paints, I have been learning to paint in oils too. I also wish to work in pastels and colored pencils in the future.
How to Paint a Landscape in Watercolor
About John Fisher
I was born and educated in England, graduating from the Luton School of Arts (now Barnfield College) in 1945. It was my hope to become a graphic artist, but at the end of the Second World War returning service men and women had first crack at the few jobs available, and rightly so. I took a number of jobs while I tried to break into my chosen field, and ended up being a reluctant carpenter. Many years passed and I emigrated to Canada in 1952, married a Canadian woman, started a family, and in 1955 finally started on a career which took in graphic arts, owner of my own graphics arts company, art director at an advertising agency, and careers in marketing, advertising and public relations.
I wish I could claim that my passion for art burned brightly throughout those years, but alas, the need to make a living took prominence. As with many people, I always promised myself that when I retired I would get back to painting again. That time came in 1989, when my wife and I were living the winter months in our condo in Destin, Florida. Robert Long, a talented watercolour artist, was offering private lessons from his nearby condo. He was my mentor, and made my retirement years infinitely richer.
In those days Robert taught only technique, and there were rarely more than four to six of us in those early classes. From Robert I regained my interest in photography as an adjunct to painting, and as the cliche goes – I never looked back. I have had many paintings accepted and hung in exhibitions in Florida and Ontario, where I now live. I’ve won some prizes, come first in some exhibitions, and occasionally won the Citizens’ Choice awards. But I mainly paint for fun – hence the choice of name for this site.
How to Paint a Landscape in Watercolor Part 2
Step 17
Next we begin blocking in the background trees, using the same technique from our recent tree project. Begin by selecting areas for negative painting. Note we have left out the lower hedge for later work. Use a #4 or 6 round brush loaded with colour. As these trees are in the background they will contain more blue than our foreground mix. With the cottage protected with liquid masking, you can paint quite freely up to the edge.Next we begin blocking in the background trees, using the same technique from our recent tree project. Begin by selecting areas for negative painting. Note we have left out the lower hedge for later work. Use a #4 or 6 round brush loaded with colour. As these trees are in the background they will contain more blue than our foreground mix. With the cottage protected with liquid masking, you can paint quite freely up to the edge.
Step 18
How to Paint a Landscape in Watercolor Part 3
Step 34
Now we rough in the grassy areas using an initial wash of Aurolin Yellow, Sap Green and a touch of our shadow colour. Our middle-ground rocks are finished for now, and we may come back to them later once our water reflection are painted in. We may need more contrast.
Step 35
In Calm Waters – Acrylic Painting Lesson
About Brian Rice:
Brian was born on May 25,1958 and his roots are in the small outport of Pilleys Island, Newfoundland, Canada. At the age of nineteen he moved to central Canada in the Sarnia, Ontario area, where he now works in the Petrochemical industry.
His interest in art began in high school, when an art teacher encouraged him. In 1979 he began to paint realistic images of Newfoundland and northern wildlife, using an acrylic medium. He has many admirers of his work and most of the paintings have been sold; many were commissions. In 1998 he did a painting of an old united church (circa 1945) for his hometown heritage society. Prints were made and sold as a fund raiser.
In 1997 he entered an art contest in Sarnia. This contest was held to select a winner to commemorate the new blue water bridge. The painting got an honourable mention and it was reproduced as a limited edition print.
Pastel Painting for Beginners Step by Step
About Christine Kane
Christine Kane is a pastel and watercolor artist who is inspired by the Midwest landscape and it’s seasons. To find new ideas for her paintings, she hikes in the forest preserves during all seasons.
Christine began drawing at an early age. She focused her education on art and has a degree in Graphic Design. She is continuing her studies and is currently pursuing a degree in Natural Resources.
Translating weather is also evident in her work. “Weather makes a landscape painting come to life. How I love to show leaves blowing in the Autumn time, snow falling in winter, or a beautiful thunderstorm approaching in my summer paintings.”
Christine finds God’s handwork in all aspects of nature and tries to translate her awe and reverence in her artwork. Never disappointed, she relies on His creation for inspiration.
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